BLACK HEN, OR LIVING UNDERGROUND – SOVIET USSR MYSTERY FANTASY FILM MOVIE POSTER

BLACK HEN, OR LIVING UNDERGROUND - SOVIET USSR MYSTERY FANTASY FILM MOVIE POSTER
BLACK HEN, OR LIVING UNDERGROUND - SOVIET USSR MYSTERY FANTASY FILM MOVIE POSTER


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Location: Clarksburg, Maryland
Ships to: US,
Item: 315824289674

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Size:Medium (up to 36in.)
Region of Origin:USSR
Handmade:No
Artist:KEVERINA E.
Framing:Unframed
Country/Region of Manufacture:Russian Federation
Custom Bundle:No
Style:Vintage,Socrealism,Socialist Realism,Affichiste,Art Deco,Fantasy,Illustration Art,Russian
Material:Paper
Theme:Drama,Film,Art,Fairy Tales,Fantasy,Movies
Personalize:No
Type:Poster
Title:THE BLACK HEN, OR LIVING UNDERGROUND
Features:Unframed,1st Edition,Limited Edition
Subject:Film,Advertising,Movies
Certificate of Authenticity (COA):No
Culture:USSR
Signed:No
Listed By:Dealer or Reseller
Original/Licensed Reprint:Original
Year of Production:1981
Date of Creation:1980-1990
Width (Inches):21
Unit of Sale:Single-Piece Work
Color:Multi-Color
Height (Inches):36

Original Russian title on the poster: ЧЕРНАЯ КУРИЦА ИЛИ ПОДЗЕМНЫЕ ЖИТЕЛИ Original (transliteration) film title: CHYORNAYA KURITSA, ILI PODZEMNYE ZHITELI Informal literally translation of film title: THE BLACK HEN, OR LIVING UNDERGROUND POSTER ARTIST:         KEVERINA E. DIRECTED BY:             VIKTOR GRES GENRE:                          DRAMA, FAMILY, FANTASY POSTER LANGUAGE:     RUSSIAN PRINT YEAR:               1981 PRINT RUN:                 60.000 POSTER COUNTRY:       USSR FILM COUNTRY:             USSR PUBLISHED BY:          “REKLAMFILM”, MOSCOW SIZE:                              IN: 21¼ x 36 = CM: 54 x 88 PRODUCED BY:           BELORUSFILM STUDIO CONDITION:                   ROLLED, NEAR TO MINT FILMPLOTSTARSIMDBARTISTFILMPLOTSTARRINGIMDBAWARDS Original official Soviet movie poster for the film: “THE BLACK HEN, OR LIVING UNDERGROUND” – a feature film directed by Viktor Gres, released in 1980 at the Dovzhenko Film Studio. A screen version of the fairy tale of the same name by Anthony Pogorelsky. The creative team of the film was awarded the first prize at the All-Union Film Festival (1981, Vilnius); the film received the Golden Prize in the children’s films competition at the Moscow Film Festival (1981), as well as a number of other film awards. When parting with his parents, Alyosha Lanskoy cannot hold back tears: he leaves the house for the first time. His father explains that a man must serve the Fatherland, and for this he must have good knowledge. Soon, the carriage takes Alyosha to a private boarding school in St. Petersburg, for training in which the parents paid a fee for several years in advance. The director of the institution, introducing the newcomer, advises him to “with all zeal” to start classes, and to demonstrate the boarding order, he releases the bird that was sitting in the cage. Having made a circle in the air, she comes back. Among the teachers, the boy singles out the teacher of literature, Ivan Karlovich, and the teacher of the French language, Deforges, who treat Alyosha with sympathy and sympathy. Reading novels of chivalry, he dreams that one day Lancelot will arrive at the boarding house, who will take him away from the institution with the barracks. However, the holidays come, and the students go home, and no one comes for Alyosha: his father sends a letter in which he says that “service business” does not allow him to take his son. For a boy left alone, a black hen Chernushka walking around the yard becomes a friend and companion. Once, seeing how the cook Trina with a knife goes to Chernushka, intending to cook dinner from her, Alyosha rushes to the woman with a cry and a prayer. To save the chicken, he gives Trina a gold coin – the only valuable thing brought from home. At night, dozens of small candles are suddenly lit in the boy’s bedroom. Opening his eyes, Alyosha sees Chernushka, who asks to follow her. So Alyosha ends up in the underworld, where he is met by the king and his minister, who turned out to be Chernushka. In gratitude for saving Chernushka, the guest is presented with a magic hemp seed. From now on, with his help, Alyosha will have access to all the knowledge described in the books. The only request the king makes to Alyosha is related to “modesty”: he should not tell anyone about what he saw in the underworld. Alyosha promises to keep the secret, but he will not be able to keep his oath.   ☆  Vitali Sidletsky  ☆ Larisa Kadochnikova   ☆ Aristarkh Livanov www.imdb.com/title/tt0128120/ The work of cameramen Vladimirov and Stepanov was awarded the 1st degree diploma of the All-Union competition for the best use of negative domestic films. The whole picture was filmed on a negative film DS-5 with the use of “DDZ” – additional metered illumination before the main exposure. This technology, which is one of the varieties of latency, was used by Soviet operators to compensate for the insufficient quality of color rendering of domestic photographic materials when it was impossible to use imported film.     All-Union Film Festival (1981, Vilnius) – first prize to a creative team in a film competition for children and youth;    Moscow International Film Festival (1981) – Golden Prize in the Children’s Film Competition    Minsk International Film Festival of Children’s Films (1981) – special prize    Gifoni International Children’s Film Festival (1981) – Special Prize    Tours International Film Festival (1982) – Diploma    Poitiers International Children’s Film Festival (1982) – Special PrizeOriginal title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Film title: FILM NAME POSTER ARTIST:  1234 DIRECTED BY:  1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR:  1234 PRINT RUN:  1234 FILM COUNTRY: 1234 LANGUAGE:  1234 PUBLISHED BY: 1234 SIZE:  1234 PRODUCED BY:  1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK    CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. !!! COLLECTION SALE !!! YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company “Intourist”. Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie’s auction. Yalta Hotel – is still working nowadays under the same name. ………………………………………………..                                        ARTIST:               unknown                                          DATE:               1983                                                       EDITION:               5000                                          PUBLISHER:               “Intourist”                                          LANGUAGE:               English                                          SIZE:               in: 16×26 – cm: 40×60                                          CONDITION:               Rolled   Listing and template services provided by inkFrog

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